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FOLIO is a magazine of strange, comic, and strangely comic words and pictures published from 2006 to 2009. For back issues please contact the_folio@hotmail.com.

Issue No. 16, Models of the Universe




Issue No. 16, Models of the Universe - Physics for Perverts

by Holly Jensen

Abs0lute Zero

He calls Fun Girls USA when he can’t sleep, which is every night.

“Hey, baby,” she says. “My name’s Ella. What’s yours?”

“My name’s Van,” he says. “And that’s even the truth.”

“I’m so glad you called, baby. I was just lying in bed all by myself.”

“What do you look like?”

“Well, let’s see, I’m twenty, I love making new friends, and—”

“I’m clairvoyant,” he says. “Is that the word?”

“You think you can read my mind, baby?”

“I know I can.”

“What am I thinking right now, baby?”

“You think I’m some rabid weirdo.”

“That it, baby?”

“You want to get me all worked up and then leave me alone. I wish you were here in my room. I bet you smell nice. Do you wear perfume? Do you like it when your roots show? Do you have blue nail polish? Your voice sounds like you have soft skin.”

“I do, baby.”

“I bet that’s one of the ways you get them. They touch your skin and—oh—their little bird hearts flutter. It’s like a fairy tale, but with blue nail polish.” He sniffs and clears his throat, coughs wet. His voice is tight and he’s talking too fast. “What if you actually made me feel all right?”

“I wanna make you feel good, baby.”

“I wanted to be an astronaut,” he says. “For about a semester. I was reading that Wolfe book. But that’s how I am. If I’d been reading ‘Rikki-Tikki-Tavi’ I’d’ve wanted to be a mongoose. What do I know?”

“I don’t know, baby.”

“I didn’t stick with anything more than a semester. I appreciate the specialization of the mind. Some people spend their entire careers studying turtle ears. And bee dances. And how the prairie grasses have sex, right? It could go on forever. It does go on forever. You know how it is.”

“Forever and ever, baby.”

“Atta girl,” he says.

“You like forever, baby?”

“There are certain things I like, yeah. Only a few. There’s only so many likeable things in the world, you know? But let me tell you what happens when things get cold.”

“You can tell me whatever you want, baby.”

“That’s right. You’re right.” He sounds surprised. “So, the unit of measurement here is degrees in Kelvin.”

“Kelvin, baby.”

“As in, room temperature is three hundred degrees Kelvin. This room, for instance. Or your room, even. And the sun? That’s five thousand degrees Kelvin. And absolute zero is zero. You follow?”

“Zero is zero, baby.”

“That’s right. As my ex would say, damnwell right. You ever heard that? I hadn’t. I thought, optimistically, that it was an affectation. But I was terribly wrong. That’s something that happens. Historically,” he says, “I am mostly wrong. Though I bet you are, too.”

“Think so, baby?”

“What if I wanted to kiss you on the mouth? Would you even like that? Hold on. I have another call.”

She hears him set down the phone, hears a clink and a long soft sound, like sighing.

He picks up the phone. “You still there?” he says. “That’s a horrible question to have to ask.”

“Yeah, baby,” she says. “That was quick.”

“Quick call, sure. Yeah. It was my neighbor, my neighbor friend. He’s says we’re going out on the town tonight, he’s gonna get me some girls. He has powers.” He laughs. “Listen to me. Cause let’s cut through the bull, right? What I really want from you is ears. You think you could handle that?”

“I could do that, baby.”

“Ah. That is so, so good-hearted of you. You know what that is? That is Christ-like. And what was I saying before?”

“You were naming the temperatures, baby.”

“As you approach absolute zero, strange things happen. You don’t even know.”

“Tell me, baby.”

“You think there’s three states of matter, that’s what they tried to teach you. And by ‘they’ I mean the school marms. Solid, gas, and liquid. But there’s a new state of matter. Named condensate. We invented it, although it wasn’t on the front pages how you’d think. ‘By the way, new state of matter created. Just thought you’d like to know.’ ”

“Something like that, baby.”

“When we get toward zero, the atoms, heretofore represented as the usual dots—the dots from science with marms—begin to cool and slow and stretch. The dots become waves. They get so stretched out they overlap. They get confused. They forget whether they are themselves or their neighbor. It’s got to be frustrating. You follow?”

“I think so, baby. They’re discombobulated.”

“That’s exactly it. You’re right. Here’s chapter two.”

“Chapter two of what, baby?”

“Technology marches on, and this scientist decides that she should shoot some light into this condensate. Can you believe it? Just like a woman,” he says. “This particular condensate was, I think, described as cigar-shaped, if that helps. This scientist wants to see what happens. Like, for fun or some other lunatic concept. None of which makes the papers. Needless to say.”

“Needless to say, baby.”

“Or at least it didn’t make The Intelligencer. Where are you right now? Never mind, I don’t want to know. Now listen to me, because the light did not stop, as it does when you shine a light at a wall. Instead, the light, shot at this brand new state of matter, slowed—and I quote—to the speed of a bicycle.”

“For real, baby?”

“Light like a bike,” he says. “I wouldn’t lie to you. Would you lie to me?”

“Never, baby.”

“You know that people used to think cold was a thing? Imagine walking around in the winter feeling burdened by all the cold. Do you understand what I’m saying?”

“I understand, baby. Strange things, burdens.”

“Where are you?” he says. “Never mind. Never mind.” He coughs. “The books I read I get secondhand, like a decent human being. You know, like I wouldn’t be caught dead in one of those—well, they’re not really book stores, are they? They sell cupcakes and calendars. Easy targets.”

“Gift certificates.”

“That’s right,” he says. “I buy books from places that smell like mold. You can feel the spores in your lungs. Listen to me. It feels good, it feels damnwell good. And the floors creak. You know what I mean? The books I like, somebody’s already read them. They’ve already been between somebody else’s palms. Someone’s marked them up before, someone’s beaten them up a bit. The books I like, people bracket parts and write in the margin, ‘Joke?’—question mark, question mark, question mark—underline. That kind of book.” In a soft voice, he says, “If I wanted to push you down, would that be okay?”

“That’d be okay, baby.”

“Now I feel stupid,” he says. “And you’ve got whatsit, you’ve got culpability. Listen. You know what that means?”

“What’s wrong, baby?”

“Culpability,” he says. “That’s one of them BBC words.”

“I like talking to you, baby. You know what I’d wanna do if you were here right now?”

“You talk to me like that but no one’s really here. No one, and not you, either.”

“I just wanna make you feel good, baby.”

“Well, god,” he says. “I fell for it, didn’t I?”

*

Multiverse

“Because our universe isn’t the only universe,” he says.

“Sure, baby,” she says.

“One hundred years ago this would be mad raving. Now it’s fact cosmology,” he says. “This idea of parallel worlds was silly and spooky, but it kept coming back, stranger and stranger. Like that one cousin at Thanksgiving. Know what I mean?”

“Yeah, baby,” she says. “Weird cousins.”

“When they talk about these particles existing in more than one place at a time, they use the verb flit. To flit. In and out of our world. In and out of existence.”

“Flit, baby.”

“There are infinite versions. In one, I’m in the space station, fixing space toilets. In another, we got hitched and you’re loading the dishwasher. I’m upstairs, fixing our earth toilet.”

“Sounds like fun, baby.”

“It’s the way the world is. It’s the way it might be. They think we live in a neighborhood where gravity is weak. This is true. Hold up your hand.”

“I can do that, baby.”

“Well, aren’t you sweet? They think that somebody else has the rest of our gravity. Hoarding it. The other verses in this multiverse.”

“Right, baby. Verses.”

“And if there’s life, it might be right by us, clinging to its own little membrane. Listen, you know what a stranger is. Life in the other worlds could be passing by us, this second, and we don’t know.”

“Yeah, baby?”

“We’re ghosts to one another.”

“Yeah, baby?”

“A life of theirs would be unimaginably different from ours. Even from yours. New chemistry and new laws. Maybe all we have in common is this gravity. It might be all that binds us to our branes,” he says. “Cause explain to a two-dimensional person what three dimensions are like. Go ahead. Try.”

“So what do they matter, baby?”

“Hell, explain me to you. No. Fair question. Does this have anything to do with you? We might be too stuck to our branes. We might be too, I don’t know, devoted. Is that what I mean?”

“We keep an eye out, huh, baby?”

“We hunt the hell out of it. But this other life, whatever life, it’s tricky life. Looking for it is playing badminton in the fog. We get four dimensions. Left-right, up-down, forward-backward, time. But the string theorists count ten.”

“What are they, baby?”

“It’s hard to imagine, the next step. I don’t know even what your life is made of,” he says.

“Like seeing a new color,” she says. “Right, baby?”

“Do you like to be called names? How many miles away are you? Have you ever met up with someone you talked to on here in real life?”

“What do you think, baby?”

“Um,” he says. “So, these other vicious cosmologists were arguing over whether there are ten or eleven dimensions. To them, it meant everything. The string theorists and these supergravity folks. One version of the universes versus another version of the verses.”

“It’s a real bar fight, huh, baby?”

“Now they think this eleventh dimension is really real and is a trillionth of a millimeter from every point in our world. It’s nestled against our cheek, they say. They say we’re wrapped in it.”

“Cozy, baby.”

“You’re only thinking about cozy. Maybe you should hold on to the kitchen counter.”

“I can do that, baby.”

“Then they said there’s another universe on another brane at the opposite end of the eleventh dimension.”

“In the back forty, baby?”

“This is where Lisa Randall comes in. She’s important, so she was born in America. She climbs rocks. She thinks about why gravity is so weak. She wears rock-climbing shorts. I either saw her or I dreamed her, and, either way,” he says, “shorts.”

“Sounds sexy, baby.”

“Gravity is leaking from this eleventh dimension. She can calculate this. By the time gravity gets to us, it’s faded. We get the drippings,” he says. “Everyone’s excited. Hawking—that bitch—said there wouldn’t be mysteries after they were done with the world.”

“He said that, baby?”

“The universes move through the eleventh dimension—this aura hung up on us—and move through it like waves, one after the other, as orderly as an ocean. Then the scientists began to wonder what would happen if two waves crashed together. And they decided that was how a universe gets born.” He sighs, says, “Once she chugged the entire bottle. We got back into it and she was sloshing around like a water balloon. This woman was an R. Crumb woman. What was I saying?”

“The big bang, baby?”

“Is when parallel worlds hit in the eleventh dimension, right. And this is true: the lumps of the universe—the stars, dirt, spoons, and you—are from the wrinkles and the ripples of the branes.”

“Wrinkles, baby?”

“We coexist. We flit together. Isn’t that everything? Kaku—he’s got a head of hair on him—said the universe is a bubble in an ocean. I’m almost positive I saw Kaku ice skating. On a show? Either way, it was remarkable,” he says. “That’s why I remarked.”

“Got it, baby.”

“You ever ice skate?”

“Not yet, baby,” she says. “But I like to try new things.”

“With frilly swimsuits and glittered tights and razor boots,” he says. “Now parallel universes are popping up in everyone’s equations. Cause who doesn’t love a winner? Listen, Duff says it best. Physics is all fads. Fickle as a little girl. No offense.”

“None, baby.”

“And nobody wants to be stuck with our four measly dimensions.”

“So, baby,” she says. “What’s the fifth dimension?”

“I don’t know.”

“What’s the sixth?”

“I don’t know.”

“What’s the seventh?”

“I can’t remember,” he says.

“That’s all right, baby. We can talk about anything you want.”

“What this means is that if we understood everything in the universe, we would understand only our universe.”

“Yeah, baby,” she says. “It’s a problem.”

Issue No. 16, Models of the Universe - Sketches of a Naturalist



Issue No. 16, Models of the Universe - Prism

by Keith Radke

That way lays the uniform,
Relentless, righteous white,
deaf and dumb.

This way lays fracture and colors,
each demanding a name,
a mouth to utter it.

In the middle, I am cut but
healthy only to the extent that
the idea is humane.



Issue No. 16, Models of the Universe - Intelligent Life


by Nik Garvoille

Issue No. 16, Models of the Universe - Credits

images ALEXA GARVOILLE
fiction HOLLY JENSEN
comic NIK GARVOILLE
poetry KEITH RADKE

This issue of FOLIO made possible by SUSAN GILBERT.
Thank you for reading.

Issue No. 15, Flight








Issue No. 15, Flight - Letters to Iqbal

Dearest Iqbal,

Every time I get back the automated response from you, I reread it, searching through those uniform sentences for a tone, a double meaning, a hint I may have missed in the past or that has evolved over the time you have spent out of country.

Think of the changes that have become manifest since you were last here. My middle name is still the same, and the color of the sun is pretty consistent, and 4 is still NBC, but changes that have been occurring over our lifetimes have become distinctly manifest, and that is usually the moment that matters.

In this sense we miss the boat. We mistake a hundred million grains of sand for a dune. It reminds me of Borges’s “Argumentum Ornithologicum”:


I close my eyes and see a flock of birds. The vision lasts a second, or perhaps less; I am not sure how many birds I saw. Was the number of birds definite or indefinite? The problem involves the existence of God. If God exists, the number is definite, because God knows how many birds I saw. If God does not exist, the number is indefinite, because no one can have counted. In this case I saw fewer than ten birds (let us say) and more than one, but did not see nine, eight, seven, six, five, four, three, or two birds. I saw a number between ten and one, which was not nine, eight, seven, six, five, etc. That integer—not-nine, not-eight, not-seven, not-six, not-five, etc—is inconceivable. Ergo, God exists.


Now of course there is a slight glibness to Borges (detectable in the title and the unnecessary “ergo”). Speaking from experience I can tell you that librarians (even blind ones) have a sense of humor. But isn’t he quite right?

It reminds me of The Gospel According to Luke, Chapter 12. Luke quotes Christ as saying, “Are not five sparrows sold for two pennies? Yet not one of them is forgotten by God. Indeed, the very hairs of your head are all numbered.” (Conveniently mirrored in Matthew 10:29: “Are not two sparrows sold for a penny? Yet not one of them will fall to the ground apart from the will of your Father.”)

Of course, suggesting that 2.5 sparrows can be had for a penny is absurd. Is Luke suggesting that Christ thought you could buy half a sparrow? I thought sparrows were chosen in this anecdote because they are small and essentially indivisible.

And then Matthew further complicates things. Are two sparrows sold for a penny? I don’t know, you tell me! If they are, then the price of 2 sparrows is one penny, which is not the same price that Luke quotes. Now if they can’t keep the price of sparrows straight, maybe they’re wrong about other stuff. Maybe Matthew meant, “Some of them will fall to the ground apart from the will of your father,” or Luke, “God lost count of the hairs on your head.”

The two quotes, however absurd, do go hand in hand with the Borges piece, no? Birds are an ideal vehicle for ontological discussion. First: they often travel in flocks, which happily blur the line between independent creatures (each of which is numbered) and a collective identity being guided by a divine or all-powerful force. Second: they fly! Nothing reminds us more of the rules we must follow than seeing them broken. In fact, I’d say we can’t recognize something as a rule unless we see it broken. No?

Hope all is well!

Robert de Saint-Loup

*

Thank you for your e-mail. I am currently in Tanzania/Zanzibar doing research for the year and will have limited internet access. It will take some time for me to respond.

My new cell is: +XXX (X)XXX XXX-XXX

Have a wonderful and blessed day.

Asante (thank you),

Iqbal

From http://losttimenotfound.blogspot.com

Issue No. 15, Flight - Fragments


When Chester complained to his father about the climbing rope in gym class, Chester’s father knew just what to do. He was a pilot and could not abide a fear of heights in his children. He found a rope, nearly a mile in length, and fastened it to the end of his next flight to Cleveland. The other end was given to Chester, who was instructed to stand in the street outside their home. “Wrap it around your arm once or twice,” said Chester’s father, “maybe around your waist. But not too tightly.” So Chester stood while his classmates were climbing ropes in school. He waited the whole morning for his father to reach the airport and board the passengers. The myriad ways of connecting the rope to his person passed the time, but soon he heard the rippling of atmosphere above him and, looking up, saw Flight 1407 approaching his neighborhood. The rope brushed through the trees, scaring the birds, and on the street before Chester it picked up like fire following a line of gasoline. With a tremendous strain on his forearms and palms, Chester traveled to Cleveland. The most experienced of passengers felt a slight drag but thought nothing of it. Chester skidded across a frozen lake and, when he stood up, complained only of rope burn.

*

Morose and ill at ease, the superhero sat at home watching television. There was a blindfolded soldier on TV cleaning his gun. One channel up a blindfolded mechanic was replacing a timing belt. On the channel above that a blindfolded chef was preparing a risotto. The superhero felt insecure. Super as he was, he did his job fully sighted. Gradually though he grew inspired. “I can do this,” he said. He tugged his cape out of his collar and pulled it over his face, covering his head. It looked like an onion was bobbing between his shoulders. “I can do this!” He took a running start at his window and crushed the framed Dali print to its right.

*

The soon-to-be martyr eyed with loathing the conservatively dressed businessman at the other side of the gate. The businessman’s style of dress was exactly the one the martyr was forced to copy, and of course it was the businessman’s values he was forced to destroy. His betters thought the sockless loafers, suit jacket, and open collar would dispel the connotations of the dark pigment in his face. But it was no good. The martyr felt a fool. He saw a young man at the window. The man wore a polo shirt under a trench coat, brown corduroy pants, and suede dress shoes. The clothes suggested to the martyr an intellectual rigor, a seriousness and sense of purpose. “I should want to look like him,” he said, and pulled his loafers back under the seat.

*

Years after Flight 497 flew into the Sears Tower from Dallas, a reporter at the Tribune wrote a piece about everyone between the two cities who might have seen the plane on its way north.

“The high-flying bird and the current of its white wake,” he wrote, “entered into the daydreams of lounging Midwesterners before becoming a part of their nightmares minutes later. Men looking up from a lawn mower that wouldn’t rev up and children not reading in hammocks saw in that plane the place they wanted to be—a flight attendant handing off a cold Coke, the chance to look down at the clouds when everyone else is asleep then joining them with a pillow you find above your seat.”

The reporter told his subjects that the plane they had been gazing at was the same plane on TV. Several of the interviewees later stated they had a hard time looking at the sky again, which in the Midwest is a difficult thing to be afraid of.

*

The head librarian of the Carnegie Library enlisted all the children’s reading groups to stop reading and comb the stacks. He wanted every book thumbed so that the boarding passes left in as bookmarks could be irrevocably removed. Those passes irked him, and the closer they were to the front the more they irked him: obnoxious proof that the patrons were up to finishing their journey but not their book.

*

No aspiring oil painter can begin his working life as an oil painter, which is why, at the age of twenty-five, Louis became a flight attendant. He enjoyed the travel, the chance to meet a wide variety of people, and the time it gave him between drink services to catch up on a canvas.

I happened to be in seat 1A on a flight between New York and Raleigh when Louis asked politely if he could paint my portrait. Since I was already locked in place, I agreed. Frankly the attention flattered me. I asked him which pose he liked best: reading, sleeping, looking out the window. He suggested something more classical, my chin on my hand, my eyes unfocused towards something in the distance. Once I was posed, Louis set about sketching.

It made the flight seem shorter, or longer. I was more, or perhaps less, aware of everything around me. The sitting put me in a mood removed from time and space, not unlike the mood you get from flying itself.

Once we landed and the Fasten Seat Belt sign was switched off, Louis turned the canvas around for me to see.

At the outset he had told me he was going for something photo-realistic, but the pockets of turbulence had made it an abstract. Either way I was flattered. I asked him if I could take a picture of it with my cell phone, but he told me it wasn’t quite finished, that the colors weren’t right. He took a picture of me with his cell phone. “For guidance,” he said, then he asked for my contact information and thanked me again.

Meanwhile, everyone had already grabbed their bags from overhead and was ready to deplane. Louis stuffed his easel into the service cubby and began his goodbyes. The pilots opened their door to give their own goodbyes and, with one look at the paint splotches all over the front of the cabin, promptly upbraided poor Louis.

At the end of that month, I received via UPS my painted portrait. He really did get the colors right. He also sent me, along with the invoice, a snapshot of the interior of his plane. Each window was covered with a finished work. On the back he wrote a note: “The pilots calmed down. You can see their portraits in the front two seats.”

Issue No. 15, Flight - Credits



cover BEN TUTTLE
drawings JILL OSTROWSKI
letter ANDREW FERRIS
fragments JONATHAN TUTTLE
design ALEXA GARVOILLE

this issue of FOLIO made possible by CHARLES PATTERSON

this is the penultimate issue of FOLIO

Issue No. 14, Piety







Issue No. 14, Piety - The Children's Mass

It was because of Penny’s, a twenty-four hour diner across the street from the rectory, that Father Ben was still asleep. He was folded comfortably in the corner of his twin bed, dressed in the same clerical get-up he fell asleep in hours prior and smelling of pie and cheddar cheese. The fresh typescript of his sermon lay on the floor, just polished at the bottom of a bottomless cup of coffee. It was the best homily of his budding career, and it would have come to rapturous applause if only he were awake enough to deliver it.

The phone rang, and, thinking it was his alarm clock, Father Ben shoved it off the nightstand. The ringing ceased, but the urgent cries of a Mexican woman began.

“Padre? Padre?”

Father Ben intoned a piece of his dream.

“Padre! Help me!”

Finally he picked the strange alarm clock up and spoke to it. “Yes…hello.”

“Padre Benjamin, help! I cannot come to mass this morning!”

“There is no mass this morning.” He sunk with the phone back into his pillows.

“Yes, ten-thirty mass.”

“No, no, today is…. What day is today?”

“Sunday.”

“What? What time is it now?”

“Ten twenty-five.”

Before Father Ben threw the phone across the room and dashed down the stairs, across the garden, and into the pulpit, the voice on the other end implored just two more minutes of his tardiness.

“Padre, you must help me.”


The procession was lined in the hall to the classrooms, every child in his or her place, when the greeter gave the cue to the usher, and the usher to the reader, and all the way down the rota until a quiet knock was given on the side doors, the bells rang, and the procession entered. Customarily, the rector’s was the first face seen, his hand on the shoulder of a preening child. But the child, in this case, entered alone.

The congregation sat back and observed the entering choristers, each head taller than the last. There were more children in the procession than there were adults in the pews. A boy in the middle paraded his faith, hoping to be seen as religious with furrowed brows and slipping glasses. A girl in the back threw her long, thick hair behind her to show off her perfectly shaped singing mouth. Distinct cliques of twos and threes passed gossip up the line. The procession flooded the aisles, and just before the youngest members left for religious education—only to return in time for the Eucharist and coffee hour—Father Ben excused his way into the sanctuary.

His hair was still under the impression a pillow was near and splayed out on one side. The ends of his oxford cloth came out of his fly. Toothpaste filled the corners of his lips. He squeezed up beside the procession leader, but she, and all the children behind her, promptly left. The congregation was riveted by his Sponge Bob slippers.



Rather than take his seat beside the altar and listen to the lessons, Father Ben stood still and gave a nervous scan over the heads. The musical director smoothed things over with a speedy launch into an old favorite, pulling everyone out of their confusion and into their hymnals. The diversion was good enough for Pat and her son Peter, who had both come in late, to settle in unnoticed–unnoticed, that is, until it became clear Father Ben was running towards them.

Peter was an intensely small boy. Though no older or younger than the children in the middle of the procession, he entered eye-level with the tops of the pews. His blond bobble looked as though a broken bowl had been used to form his hair. His bangs began normally enough on the left then jutted down in an extreme angle to the right, covering his eye. He did not object to the barber, being only dimly aware that he could. He let the scissors do what they wanted.

The greeter did not allow latecomers to enter the sanctuary until the procession was over, so Pat, proud owner of a bushy new perm, killed time brushing up on her theology, “Anglo-Catholic Real Presence,” with complimentary brochures. She stuffed them into her fanny pack as quickly as she could when Father Ben kneeled in front of her. Over the robust singing of the baritone beside him, Peter could hear none of Father Ben’s obviously grave remarks, and once the hymn came to the end of its sixteenth refrain, the rector gave a squeeze to Pat’s arm and stepped away.

The crowd took their seats, and Father Ben the pulpit. Realizing he had left on his bed what was possibly the best homily he had written since that first competitive week at Divinity, Father Ben took a swig of air and winged it for what was to be the shortest homily delivered in the history of St. Marge.

Throughout the service, Pat leaned down to Peter and attempted to explain the conversation she had with Father Ben. But there were countless interruptions, and the clatter of kneelers hitting the floor finally drowned her out completely. As Father Ben broke the bread and distributed it to the visiting clergy, Pat bit her nails. A line of sweat marched down her forehead. Any outside observer, including Peter, would have thought she had only fifteen seconds to diffuse a bomb beneath the crucifix.

“Everything will be revealed” was the cue for the first pew to file out for their bread. When they were through, the next pew followed, and so on. Soon, after everyone in front of them was reeling in the ecstasy of their one drop of wine that week, it was Pat and Peter’s turn. “Come on, go, go!” Pat said, pushing Peter down the aisle. He was confused, but not alarmed. After a lifetime of single file lines, this was merely a new flow to go with.

At the fence between congregants and clergy, they kneeled together. Father Ben mumbled the usual, though he too was sweating. He gave Pat a bit of crust as if he were offering a secret, and Pat swallowed as if she already understood. But instead of rising and rejoining the line, Pat remained, her hands clasped, staring at Peter. His bit of bread, this one from the middle of the loaf, pale and airy, with wide caves running through it, was placed in his hand. Peter put the bread in his mouth and looked up to the deacon carrying the wine. As she came forward with her own mumbles, Pat took Peter by the neck, put one hand in front of his mouth, and with the other slapped the back of his head. The bread popped out, undisturbed, onto her palm.


“Where are we going?” asked Peter.

Pat was driving with an abandon he had never seen, cutting corners, running red lights. He wondered if it was possible to be kidnapped by one’s own mother.

After “Peace be with you” Pat skipped down the steps outside the church. She led Peter to the car by the scruff of his neck and bolted out the parking lot, the bread deposited safely in her pocket. Peter eyed it as his mother careened across town.

“Where we always go,” she said.

The Taco Bell parking lot was empty and Peter wondered if it was even open. They had never been there that early.

The tables were still gleaming from last night’s wipe down. It was as cold as ever, though the dance music wasn’t on yet. The woman in the headscarf, who was usually confined to the kitchen, stood on a table trying to slide a peeling advertisement back onto the window. With a strong reach her cardigan slipped above her waist and she struggled, balancing on one foot, to cover her lower back with one hand and preserve the Ninety-Nine Cent Taco sign with the other.

Pat wound her way through the railings in front of the cash register, which would have, on a normal day, made her feel a bit ridiculous. Peter did not enter the maze, but hung back at the door, and watched.

His mother’s mysterious rush was interrupted by the absence of a cashier. Pat tapped the bulge in her pocket and looked at the menu as she waited, even considered changing her usual. She noticed the television monitor above the drive-through window. Hoping she wasn’t the only one who could see it, she waved at the security camera, then put her palms together as if in prayer. Still, no one came out and Pat contented herself to try a few quarters on the Missing Children coin game beside the register.

Peter noticed the monitor too and saw himself standing in front of the number 3’6’’ on the notched strip by the door. Peering further into the grainy image, he could just make out, on the other side of the trashcan, the shape of a child. It was sitting at a booth, and upon close inspection of the back of its head, Peter determined it was a girl. Just as he was about to creep around the trashcan to get a better look at the person capable of matching Taco Bell’s eerie silence, a small Mexican woman came running out from the walk-in refrigerator.

“I so sorry!” she said. “We have accident with toys!” A bag of Jonas Brothers was caught around her ankle. “You are Pat? Pat?”

“Yes,” said Pat. “From St. Marge. Are you Alba?”

“Sí, sí. Do you have it?”

Pat reached into her pocket and pulled out the bread.

Alba put her hand on her heart and let out an enormous sigh. “Sancta Maria!”

“I’m glad we could do this for you.”

“I never work Sundays,” she said, still tragically worked up. “I hate it. This Sunday they made me.”

Pat shook her head disapprovingly.

“I told Juliet her grandmother could take her to church. She say no, she want to stay with me. I told her I had to work. She say she wouldn’t go without me. We have big fight.”

Pat tried to remember a time she fought with Peter, but couldn’t. “Where is she?”

It looked to Peter like Alba was pointing at him. He backed up into the measuring tape.

Pat turned around and, without warning, took the bread out of her pocket and threw it to him. It was a gutsy move on Pat’s part, knowing full well that Peter had only ever heard the words “Good try!” after attempting a catch. The bread flew over the railings with all the force of his mother’s and Alba’s combined prayers that he would catch it. He did.

“Right there,” said Pat, pointing. “Give it to her!”

Peter pulled himself onto his tiptoes to get a good look over the trashcan. Failing, he stepped around it and approached the rather sizable child. Bright plastic pins decorated her long, dark braids, over which a set of headphones pumped the New Kids on the Block—a fifty-cent Good Will cassette—into her ears. The table was covered with markers spilling out of a marked-up Ziploc bag. She was exhausting the possibilities of an old coloring book.

“Give it to her!” said Pat, frustrated Peter did not already understand.

But Cher finally came on over the speakers and Peter could not comprehend his orders. He lifted the bread. “This?” he said.

“Go on!”

Alba clasped her hands and mouthed “please.”

The door opened and a handsome family of four walked in, gussied and hungry and tipsy from the wine. The post-church families had made it out of coffee hour. The mother and father stood behind Pat at the register while the son and daughter ran to the back booth, indifferent to the woman in the headscarf standing on their table, who squealed like an elephant at the sight of mice and moved a booth over.

Pat was reluctant to give up her space beside Alba. The mother and father were standing there for legitimate reasons but it was hard to imagine those were more important than hers. They would have to wait.

Peter came up to the edge of the table, bread in hand. Juliet did not appear to notice him, or if she did, she did not consider him a valid replacement for her coloring. She kept on scribbling.

Another family entered, of a different sect altogether. They had no khakis but long denim shorts and camouflage t-shirts. The children were taller than the parents and talked about ordering twice as much food.

A boy Peter’s age came in wearing a T-ball uniform, which Peter knew meant there were more to follow. Fourteen kids in stretch-pants and caps, their coaches and parents, lined behind the camouflaged teenagers at the counter, every child in his or her place.

Where Peter was confused at first he was now a bit frightened. The people behind him further separated his understanding from his mother’s wishes. He knew that he was put in front of this girl. He knew he had some bread in his hands. The only possible outcome of these two pieces of information, and the action that would bring this whole strange business to a close, was to hold out his hand. He held out his hand.

A station wagon pulled up outside the window. At first it tried to merge into the drive-thru lane, but a few honks forced it to park. Juliet did not notice the honks or the outstretched hand, which remained outstretched while Peter’s attention was diverted.

A boy hopped out of the back seat of the station wagon. He had a thick coating of freckles over his face and red, Chef Boyardee stains around his mouth. The boy was fast, and his mother cruelly slow in removing herself from the driver’s seat. He danced and jittered beside the car as if she were the burden of a full bladder set to burst. And when the locking beep finally beeped, it was his shotgun cue to bolt at the Taco Bell doors. He ran past the girls sauntering to the door in their sleepover pants and flew inside.

Peter watched him swing around the railings, playing chicken with the customers’ legs. Shoving his way to the front, he tried to push the quarter game over the counter. He shouted numbers back at the kitchen. He attempted to swipe the sour cream gun, and when someone told him to stop, he ran over to the soda fountain, licked his finger, and stuck it up the Pepsi.

Peter was transfixed, and when the ADD boy caught him staring, Peter rushed his eyes back to his hand, which was empty. Juliet was still coloring but chewing now, and when she was finished she took a swig of her soda. She did not say “Thank you,” smile, or even turn off her music. She swallowed and returned to her coloring.

Peter turned back to his mother, who was still behind the impatient crowd. She lifted a very proud thumbs-up above the other heads. Alba said a short prayer under her breath and started to work the line.

Soon Pat and Peter could slide into their own booth. Pat pulled the church brochures from her bag––the Mexican Pizza tasted best with reading material–and Peter read the jokes on the back of the sauce packets. Although he was never allowed to use them on his food (Pat forbade it, saying even Mild was Fire and Fire would make his tongue hurt) he thought they might be good on their own as play things, a little skateboard for your fingers when your tacos were gone. Peter picked up eight, seven Milds and a Fire, precisely the amount he saw the ADD boy stuff into his pockets.

“Good Gosh!” said Pat. A piece of Mexican Pizza slid out of her mouth. She pointed to the picture on her brochure of the hands holding up the wafer. “We forgot about you!”

She sat back and shifted her eyes nervously around the table. “Should we—we have to call Father Ben!” She dove into her purse for her cell phone. Peter heard the dialing on the other end and eventually Father Ben’s startled greeting.

“Father Ben!” said Pat. “You have to come and consecrate something!”

Peter smiled and closed his fingers around the Fire packet in his palm.

Issue No. 14, Piety - SOC (for cabin fever)

it’s an ailing life methinks…
The pine straw stinks of stars and alien links
to an after-life I’ll never see…
To the shining soul I’ll never be…
What has become of me, what has begun in me
that now stings at the core of abandoned hives?

The links in me brain are forging a head
with which I’m no longer familiar…
There is a bird in my vernacular I can recognize
only as vermillion…ooh as scarlet as wine-dark seas…
The trees flow ‘gainst the sky much as fire flows
through oxygen, much as flames blow through the stanchions
of mis-appropriated and bank-vacated farms…

These recent days pass by unalarmed…
Scarlet letters burn in my mailbox…
I have no votive candles to proffer
the inquisitors of my air of privacy.

Issue No. 14, Piety - Credits



cover KATIE CLAIBORNE
fiction JONATHAN TUTTLE
photography ALEXA GARVOILLE
poetry J. WILLE G.
drawing BEN TUTTLE

this issue of FOLIO made possible by BOB DRIES